top of page

Late 19th Century Art (Early Modernism)

Realism:  1848 - 1860's

Impressionism:  1872-1880's

Post-Impressionism: 1880's - 1890's

Symbolism: 1890's

Art Nouveau: 1890's - 1914

KEY IDEAS

  • Realism was based on the theory of being positive (positivism)

  • Japanese art had a profound impact on late 19th century painting.

  • Impressionist art is all about painting "en plein-air"

  • Symbolist painters seek to portray mystical personal visions.

  • The Skyscraper is a new type of building due to technological advances

  • Art Nouveau unifies painting, sculpture, and architecture with curvilinear lines and organic forms and motifs.

  • Artists were inspired by the past but rejected the tradtional subject matter.

  • Almost all artworks are purely secular with no religious symbolism or intent.

HISTORY

  • Europe was in a move from aristocracies to democracies = Revolutions in Sicily, Venice, Germany, Austria, and Lombardy. 

  • Franco-Prussian War of 1870

  • Concept of positivism fueled by Comte (knowledge must come from proven ideas based off science)

  • Darwin and Marx = Human evolution and social equality

  • Invention of telephones, motion pictures, bicycles, and cars!

  • The avant-garde

  • New excavation begins in Greece, Turkey, and Europe

Artworks:

Realism/Photography/19th Century Architecture

110. Still Life in Studio, Louis-Jacques-Mandé Daguerre 

113. The Stonebreakers, Gustave Courbet 

* The Gleaners, Millet

114. Nadar Elevating Photography to Art, Honoré Daumier 

115. Olympia, Édouard Manet 

* The Gross Clinic, Eakins

117. The Horse in Motion, Eadweard Muybridge 

118. The Valley of Mexico from the Hillside of Santa Isabel (El Valle de Mexico desde el Cerro de Santa Isabel)

119. The Burghers of Calais, Auguste Rodin 

127. The Steerage, Alfred Stieglitz 

124. Carson, Pirie, Scott and Company Building, Louis Sullivan 

​

Impressionism

116. The Saint-Lazare Station, Claude Monet 

121. The Coiffure, Mary Cassatt 

​

Post Impressionism 

120. The Starry Night, Vincent van Gogh 

123. Where do we come from? What are we? Where are we going?, Paul Gauguin 

125. Mont Sainte-Victoire, Paul Cézanne 

​

Symbolism
122. The Scream


Art Nouveau
128. The Kiss (Klimt)


Architecture
124. Carson Pirie Scott

630f9bfd45d51c67b9c1e9a4179f8c492d3d1c5f
cri_000000133075.jpg
Paul_Gauguin_-_D'ou_venons-nous.jpg
975e3530a58b03a673e7f987d17c773373eb8cc7
klimt-der-kuss-1908.jpg
maxresdefault (2).jpg
the-scream (1).jpg
3e0a57269b01177eaf824068b467cde176c229af
dbbb7009f6c7a84b1e2a4d5903fd48b054585ca5
bottom of page