Late 19th Century Art (Early Modernism)
Realism: 1848 - 1860's
Impressionism: 1872-1880's
Post-Impressionism: 1880's - 1890's
Symbolism: 1890's
Art Nouveau: 1890's - 1914
KEY IDEAS
-
Realism was based on the theory of being positive (positivism)
-
Japanese art had a profound impact on late 19th century painting.
-
Impressionist art is all about painting "en plein-air"
-
Symbolist painters seek to portray mystical personal visions.
-
The Skyscraper is a new type of building due to technological advances
-
Art Nouveau unifies painting, sculpture, and architecture with curvilinear lines and organic forms and motifs.
-
Artists were inspired by the past but rejected the tradtional subject matter.
-
Almost all artworks are purely secular with no religious symbolism or intent.
HISTORY
-
Europe was in a move from aristocracies to democracies = Revolutions in Sicily, Venice, Germany, Austria, and Lombardy.
-
Franco-Prussian War of 1870
-
Concept of positivism fueled by Comte (knowledge must come from proven ideas based off science)
-
Darwin and Marx = Human evolution and social equality
-
Invention of telephones, motion pictures, bicycles, and cars!
-
The avant-garde
-
New excavation begins in Greece, Turkey, and Europe
**Van Gogh's Starry Night (article)
Artworks:
Realism/Photography/19th Century Architecture
110. Still Life in Studio, Louis-Jacques-Mandé Daguerre
113. The Stonebreakers, Gustave Courbet
* The Gleaners, Millet
114. Nadar Elevating Photography to Art, Honoré Daumier
115. Olympia, Édouard Manet
* The Gross Clinic, Eakins
117. The Horse in Motion, Eadweard Muybridge
118. The Valley of Mexico from the Hillside of Santa Isabel (El Valle de Mexico desde el Cerro de Santa Isabel)
119. The Burghers of Calais, Auguste Rodin
127. The Steerage, Alfred Stieglitz
124. Carson, Pirie, Scott and Company Building, Louis Sullivan
​
Impressionism
116. The Saint-Lazare Station, Claude Monet
121. The Coiffure, Mary Cassatt
​
Post Impressionism
120. The Starry Night, Vincent van Gogh
123. Where do we come from? What are we? Where are we going?, Paul Gauguin
125. Mont Sainte-Victoire, Paul Cézanne
​
Symbolism
122. The Scream
Art Nouveau
128. The Kiss (Klimt)
Architecture
124. Carson Pirie Scott