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Contemporary

Global Contemporary/Post Modernism

Installation

224. The Gates, Christo and Jeanne-Claude 

225. Vietnam Veterans Memorial, Maya Lin 

248. Shibboleth, Doris Salcedo 
238. Electronic Superhighway, Nam June Paik 
Identity

242. Lying with the Wolf, Kiki Smith 
243. Darkytown Rebellion, Kara Walker 

236. En la Barberia no se Llora (No Crying Allowed in the Barbershop), Pepon Osorio 

231. Untitled (#228), from the History Portraits series, Cindy Sherman 

232. Dancing at the Louvre, from the series, The French Collection, part 1; #1, Faith Ringgold 

Culture

235. Rebellious Silence, from the Women of Allah series, Shirin Neshat (artist); photo by Cynthia Preston 

237. Pisupo Lua Afe (Corned Beef 2000), Michel Tuffery 

244. The Swing (After Fragonard), Yinka Shonibare 
245. Old Man’s Cloth, El Anatsui 

233. Trade (Gifts for Trading Land with White People), Jaune Quick-to-See Smith 

234. Earth’s Creation, Emily Kame Kngwarreye 

229. A Book from the Sky, Xu Bing 

250. Kui Hua Zi (Sunflower Seeds), Ai Weiwei 

228. Androgyne III, Magdalena Abakanowicz 

226. Horn Players, Jean-Michel Basquiat 

230. Pink Panther, Jeff Koons 

247. Preying Mantra, Wangechi Mutu 

246. Stadia II, Julie Mehretu 

227. Summer Trees, Song Su-nam 

241. Pure Land, Mariko Mori 

239. The Crossing, Bill Viola 

Architecture

152. House in New Castle County, Robert Ventura, John Rausch and Denise Scott Brown 

240. Guggenheim Museum Bilbao, Frank Gehry 
249. MAXXI National Museum of XXI Century Arts, Zaha Hadid 

JEAN CLAUDE & CHRISTO

Themes: Site art, environmental art

"Christo and Jeanne-Claude were a collaborative artist duo known for their monumental environmental installations. Best remembered in the public’s mind for wrapping architecture and natural elements in fabric, their works were often unprecedented in scale, such as Running Fence down the California coast, and Wrapped Coast in Australia. Part of France’s New Realism movement, the artists’ temporary textile interventions required dedicated planning and execution through detailed drawings. . .Like his contemporary Arman, Christo used smaller found objects in his earlier works, wrapping cars or furniture, and gradually advancing to large-scale exhibitions once he began to collaborate with Jeanne-Claude. The pair emigrated to the United States in 1964, settling in New York, NY where Christo currently resides and works." From http://www.artnet.com/artists/christo-and-jeanne-claude/

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MAYA LIN

Themes: nature, physiological environment, history, time

​"Artist, designer and  environmentalist, Maya Lin interprets the natural world through science,  history, politics, and culture, creating a remarkable and highly acclaimed body  of work in art and architecture. Her works merge the physical and psychological  environment, presenting a new way of seeing the world around us.
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Lin's art explores how we experience and relate to Nature, setting up a systematic  ordering of the land that is tied to history, memory, time, and language. Her  interest in landscape has led to works influenced by topographies and natural  phenomena."
http://www.mayalin.com

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JEAN-MICHELE BASQUIAT

Themes: Anatomy, artists (Picasso, Da Vinci), African American Musicians, farm satire

  • Born in Brooklyn of Puerto Rican and Haitian descent

  • Horn Players (Acrylic and oil on paintstick on three canvas panels)

Basquiat had a somewhat troubled childhood. At 15, he ran away from home and dropped out of high school as a sophomore. He worked to sell t-shirts and small time art post cards. In the 70s he became a popular artist and often collaborated with high profile artists such as Andy Warhol. He became addicted to heroine in the 80s and died of an overdose in 1988.
http://www.wikiart.org/en/jean-michel-basquiat
http://www.theartstory.org/artist-basquiat-jean-michel.htm

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SONG SU NAM

Themes: traditional art techniques that are modernized

"Song Su-nam is one of the leaders of the 'Sumukhwa' or Oriental Ink Movement of the 1980s, based at Hongik University, Seoul. This movement shared the general feeling that it was necessary to 'recover' a national identity and began to concentrate on subtle tonal variations of ink wash, in an attempt to elicit an inner spirituality which was felt to be lost in a modern technological age." From The British Museum 

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MAGDALENA ABAKANOWICZ

Themes: identity


"Abanowicz being interested by the texture of matter, particularly the organic nature of her medium of choice. Abakans - made from dyed sisal fibre - with its multiplied organic nature - was shocking. At exhibitions they were suspended from the ceiling, unidentifiable monsters wrapped in canvas cloth. The artist broke with the tradition of flat surfaces of decorative textiles hung against the walls. Years later she wrote, "The Abakans irritated. They were untimely. There was the French tapestry in weaving, pop-art and conceptual art, and here there were some complicated, huge, magical (forms)..." http://culture.pl/en/artist/magdalena-abakanowicz

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XU BING

Themes: combining modern and traditional art forms, text, reliability of knowledge, futility of existence

  • Born in Chongqing, China (worked in the US for 18 years), currently lives in Beijing. 

  • Book from the Sky (mixed media installation)


"Pioneering Chinese contemporary artist Xu Bing creates powerful, poignant mixed-media installations, in which he subverts systems of language, upending expectations and perception. He explains that his works “are all linked by a common thread, which is to construct some kind of obstacle to people's habitual ways of thinking—what I call the ‘cognitive structures’ of the mind.” Trained as a printmaker, Xu is informed by the Cultural Revolution, Chan Buddhism, and his keen interest in the relationship between meaning and words, writing, and reading." From https://www.artsy.net/artist/xu-bing-xu-bing

http://www.xubing.com/index.php/site/texts/evolving_meanings_in_xu_bings_art_a_case_study_of_transference/
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Past exhibition at LACMA
Additional video to watch

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